Showing posts with label Requiem. Show all posts
Showing posts with label Requiem. Show all posts

Thursday, December 5, 2013

Rest In Peace

      Mozart passed away in his home 222 years ago today, December 5, 1791, leaving behind his wife, two sons and an unfinished Requiem Mass that would come to be known as one of the most incredible compositions in the history of classical music. Perhaps the reason why the Requiem is so haunting is because Mozart believed he was writing it for himself.
      Earlier that year, a man in gray had come to Mozart's door commissioning a Requiem Mass without giving a name. Later, it was discovered that the message had come from Count Walsegg, a young man Mozart never knew who had recently lost his wife and planned to pass the composition off as his own.
      The day of his death, Mozart shared with his friends his feelings on composing the Requiem: "Did I not tell you I was composing this Requiem for myself?"
      Mozart died at age 35, not two months before his birthday, almost completing the Lacrimosa, perhaps the saddest and most beautiful movement in the entire piece. The Requiem was completed according to his instructions by his student, Franz Xaver Süßmayr.
      Mozart once said of death in a letter to his father in 1787:
"I have made it a habit in all things to imagine the worst. Inasmuch as, strictly speaking, death is the real aim of our life, I have for the past few years made myself acquainted with this true, best friend of mankind, so that the vision not only has no terror for me but much that is quieting and comforting. And I thank my God that He gave me the happiness and the opportunity (you understand me) to learn to know Him as the key to true blessedness."
     May Wolfgang Amadeus Mozart rest in peace!

Sunday, July 7, 2013

Excellent Article on Mozart's Burial

I recently read an excellent article entitled, "Mozart and the Myth of Reusable Coffins" written by Michael Lorenz on his blog, "Michael Lorenz: Musicological Trifles and Biographical Paralipomena". With his permission, I wanted to share the link to it on my blog. Please visit, read, and comment on his article!
Click here to read "Mozart and the Myth of Reusable Coffins".

Wednesday, November 14, 2012

Requiem Mass (Though Not For Me, As You May Have Thought)

     Well, it is interesting to see how summer work and a boatload of schoolwork can affect my opportunity to post even a small entry! But I finally have something worthwhile to write about!
The Pittsburgh Symphony Orchestra warming up before the concert.
The choir still had yet to come out!
(The picture isn't very clear; it was taken with my phone)
     This past October, I had the exciting and amazing opportunity to see the Pittsburgh Symphony Orchestra give an outstanding performance of the Requiem Mass in D Minor (K. 626). This was the first time I had ever heard a real, professional symphony orchestra perform any classical masterpiece live. Of all pieces, they performed one of my all time favorites, the Requiem Mass!
     This was only part of the excitement, however. The advertisement I had read for the performance stated that actor John Lithgow would be reading excerpts of poetry and letters written by Mozart. Naturally, I was very excited to see a famous actor live. Then, while waiting for the concert to begin, I discovered in the program that Mr. Lithgow would not be there that night...instead, it was F. Murray Abraham (winner of the Oscar for his performance as Antonio Salieri in the film Amadeus) whom they were featuring! I just about jumped out of my seat. The star of my favorite movie of all time was there that night, reading letters from Mozart during the Requiem Mass! Needless to say, Mr. Abraham did not disappoint.
F. Murray Abraham as Salieri (L) and as himself (R)
     Before the Requiem Mass, the PSO treated us to a stellar performance of Beethoven's violin concerto, featuring Noah Bendix-Balgley. It was so amazing! What more can I say? How can I really describe with words a night filled with Beethoven and Mozart? (Of course, there are no words!)
     One of the most amazing parts of the evening was the end of the Requiem--after the last movement ended, the concert hall faded to complete darkness and a bell tolled in remembrance of one of the greatest composers of all time. Slowly, the lights faded back on, and at that moment, the entire hall erupted into a chorus of emphatic cheers.
     There is nothing quite like being surrounded by Mozart's emotional, deeply moving sacred music. This day will forever be one of my most cherished memories. A special thanks to Dave for this wonderful, unforgettable day!

Monday, December 5, 2011

Rest In Peace, Mozart!

The beloved composer died on this day, 220 years ago.
May his music live on forever!

Friday, July 15, 2011

What Will They Come Up With Next?

Here is an article that I found on DiscoveryNews.com from Monday, July 11, 2011, if you'd like to read it. After this I don't think scientists can find any more diseases or conditions to blame for Mozart's death!


Lack of Vitamin D May Have Killed Mozart
If the composer had spent more time in the sun, he might have forestalled his early death.

During his short life, Austrian composer Wolfgang Amadeus Mozart suffered from many of the era's common illnesses, including smallpox, typhoid fever, tonsillitis and upper respiratory tract infections.
What exactly it was that killed him in December 1791 at age 35, however, is still a matter of debate -- with theories ranging from poisoning to renal disease.
Now, two researchers offer a new theory: vitamin D deficiency. In his high-latitude home in Austria, Mozart was probably running low on the sunshine vitamin for half the year. That deficiency may have put the musician at risk for many of the illnesses he suffered from.
If only Mozart had known about vitamin D and had access to supplements, he could have doubled his lifetime's output of work, mused William Grant, a retired NASA atmospheric physicist who has been following vitamin D research with great interest for the past decade. And, he argued, the same goes for several other famous musicians who died at young ages.
While some researchers remain skeptical, Grant thinks Mozart's story holds a cautionary tale for modern musicians, who might want to consider getting outside for a practice session or two.

"Almost every disease has a vitamin D connection these days," said Grant, who is not a doctor, but is affiliated with the Sunlight, Nutrition and Health Research Center, a pro-vitamin D research and education association. "I think modern-day musicians are unaware of the fact that by staying indoors, they are not getting the adequate amount of vitamin D that they need."
Mozart's death has long been shrouded in mystery. The musician was buried three days after he died, said William Dawson, a retired orthopedic surgeon, and past president of the Performing Arts Medicine Association. And an autopsy was never performed on his body.
Testimonies and reports about the composer's death were not reviewed until 30 years later. Even then, the documents were full of conflicting details. To complicate the situation even more, medical knowledge at the time -- more than two centuries ago -- was far behind what doctors know today. And since Mozart's time, the definitions of many medical terms have changed.

"They didn't know about vitamins," Dawson said. "They didn't know about bacteria. They didn't know about blood pressure. Mozart's physicians were as high quality as he could get. They just didn't have the knowledge or technology to treat him."
Dawson reviewed 81 references in the literature that addressed the question of what actually happened to Mozart at the end of his life. In a paper published last year in the journal Medical Problems of Performing Artists, he chronicled and organized those theories.
Many of the papers he looked at sited chronic kidney disease as the cause of lots of Mozart's problems, including his many secondary infections, like strep throat and pink eye. Those explanations are convincing enough, Dawson said, though he has his own pet theory for what ultimately killed the composer.
"They bled Mozart a lot as one of the treatments for his disease," he said. "I think they bled him too much and he died of acute blood loss."
Grant has a different point of view. He read Dawson's paper with a close eye on the time of year that Mozart tended to get sick. From 1762 to 1783, he wrote in a letter that was just published in the journal Medical Problems of Performing Artists, most of Mozart's infections occurred between mid-October and mid-May.
That's the time of year when people in places as far north as Austria simply can’t make enough vitamin D from sun exposure. Plenty of studies in recent years have linked adequate vitamin D levels with lower risks for influenza, pneumonia, cardiovascular disease, cancers, autoimmune diseases and more.

The current recommended daily intake of vitamin D is 600 IU for most people, but some experts now advocate taking as much as 4,000 IU, which is currently the recommended upper limit for the vitamin (something no one should do without talking to their doctor first).
Grant pointed to two other famous musicians with similar stories. British cellist Jacqueline Mary du Pré, for one, died in 1987 at age 42 from multiple sclerosis. And Austrian composer Gustav Mahler died in 1911 of bacterial endocarditis. Evidence now suggests that vitamin D can protect against both diseases.
There's no way to prove or disprove Grant's theory, Dawson said, but he urged some caution.
"I am tempted to say that this is an idea that has its adherents, and it's out there in the literature," Dawson said. "Whether people choose to believe it is up to the individual reader."

Sunday, May 22, 2011

Mozart's Requiem

         When Mozart's Requiem in D Minor, K. 626, was commissioned by a mysterious visitor (a messenger of Count Walsegg, who wanted to pass the composition off as his own), Mozart felt that the messenger was from heaven, telling him that his time was coming. He had been sick for a few months, and wasn't getting any better (he had a suspicion that a composer rival had poisoned him). He had a great fear of death. He wasn't in a good financial position, which worried him even more since he had a wife and two sons. 
         The Requiem in D Minor is probably Mozart's most incredible work. Unfortunately, a large portion of it was unfinished when he died. His pupil Franz Xaver Süßmayr finished the work after Mozart passed away.
         The story of the Requiem inspired me to write a little piece of poetry based on Mozart's point of  view while he is writing his last piece of music. I never write poetry, and this therefore doesn't follow any sort of writing rules. I just wrote what came to me and I hope you like it!


What is this pain inside
Which fills this joyful heart with sorrow,
Which counts every heartbeat as if it were the last,
And fills my every day with terror?
Each note I inscribe sings of my approaching doom,
The fate every man is sentenced to --
Rich and poor, good and dishonest alike.
My hand trembles as I begin each new measure;
The work is no longer mine, but my fate singing through me.
Why me? -- A man so young
And with multiple mouths to feed --
Why is this the man death searches for?
My beloved Creator would not call me so soon,
But jealous rivals made of flesh
Are anxious to be rid of me.
I feel the cruel, invisible weapon
Put in my goblet for an unsuspecting sip;
It creeps up my body and clutches on
With teeth like a venomous snake.
This mortal is lost in the battle for life;
His feeble body is no match for men's jealousy.
But listen!
My music rings out loud in the streets;
I am not dead, but alive!
I sing through ivory, ebony and wood,
Through brass horns and pipes of silver!
What man tried to be rid of,
Man brought back to life! 

Friday, May 13, 2011

Amadeus: Fact and Fiction


Sir Peter Shaffer said of his play Amadeus (and the screenplay for the 1984 motion picture), "[Amadeus is] a fantasia based on fact. It is not a screen biography of Mozart, and was never intended to be." In this post, I recall some scenes from the film and compare them to facts of the composer's life. Fact means, "the movie had this in it", Fiction means, "the movie either made this up, or changed it slightly".

Fiction - After the premier of Die Entführung aus dem Serial, Mozart refers to his future mother-in-law, Frau Weber, as "my landlady". In reality, Mozart had been asked to leave the Weber boarding house 9 months before the opera's premier. (See Life.)

Fact - Mozart did not get along with the Archbishop of Salzburg. The Archbishop mistreated him and eventually dismissed him.

Fact/Fiction - Mozart married Constanze before his father's consent letter arrived in the mail. However, the movie makes it appear as if Leopold never consented to the marriage. Leopold was always somewhat cool toward Constanze, but he did consent to the marriage.

Fiction - Although it would be foolish to say that a proud Austrian such as Mozart didn't enjoy alcoholic beverages, he certainly wasn't an alcoholic, as the movie portrays him to be near the end of his life. His favorite drink was punch, which his friends said he drank in large quantities.

Fiction - Shortly before his death, Mozart slipped into unconsciousness and never awoke. This means that he probably died with his eyes closed, not open.

Fact - Salieri and his co-workers did work secretly to make Le Nozze di Figaro a failure. They asked the performers to request impossible alterations on their parts, infuriating Mozart to the point of threatening to withdraw the entire opera. The Emporer Joseph II stepped in, then, and ordered that everything return to how it was. The performers ended up liking their parts and the opera was a success until a new Salieri opera overshadowed it. As the movie mentions, the opera was withdrawn after only nine performances.

Fiction - Salieri did not kill Mozart, and it was not he who came to Mozart's door commissioning a Requiem Mass. In reality, the mysterious visitor was a messenger of the young Count Walsegg, who liked to commission pieces and pass them off as his own.

Fact - Mozart loved billiards. In the movie there are many instances where he is playing or writing music at his billiards table. Mozart's good friend, tenor Michael Kelly, mentioned in his memoirs that he enjoyed countless games of billiards with him, and never won.

Fiction - Mozart had not one child, but six. Unfortunately, only two survived to adulthood, Karl Thomas and Franz Xaver Wolfgang.

Fiction - Salieri was not with Mozart when he died. Present during Mozart's last hours on earth were his wife Constanze, her sister Sophie and his doctor.

Fiction - Constanze did not attend Mozart's funeral, which was held two days after his death, as she was too distraught.

Fiction - Mozart did not call Constanze "Stanzi", but "Stanzerl".

Fiction - As funny as it was in the movie, the Queen of Night aria in Die Zauberflöte was not inspired by Mozart's mother-in-law!

Wednesday, January 26, 2011

Mozart's Death Mask: Is It Real?


Please comment on whether you think the mask is Mozart's or not...comment either on this blog or on YouTube...or on both!